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Early in their career, the Goo Goo Dolls were frequently
dismissed by critics as mere imitators of the Replacements; however,
they refined and mainstreamed their sound to become one of the most
popular adult alternative rock bands of the 1990s, selling millions of
records to audiences largely unfamiliar with their influences. That's no
knock on the band, either -- the music simply improved in craft and
accessibility as the years progressed, and radio happened to be
receptive to a style that, one decade earlier, would have been
considered collegiate power pop. Thus, the band landed two huge hits
with the acoustic ballads "Name" and "Iris," followed by a string of Top
Ten singles.
The Goo Goo Dolls formed in 1985 in Buffalo, NY. Guitarist/vocalist
Johnny Rzeznik, bassist Robby Takac, and drummer George Tutuska
initially banded together under the name the Sex Maggots, and their new
moniker was chosen from an ad in True Detective magazine at the behest
of a local club owner. Originally a cover band with a taste for power
pop and classic rock & roll, the group soon began writing original
songs. Their early sound recalled the Replacements' origins as a bratty
punk band: melodic, snotty, and a little bit thrashy. That sound was the
reason the band attracted the interest of the heavy metal label Metal
Blade, which issued their debut album in 1987 (known either as The Goo
Goo Dolls or First Release). Released in 1989, the follow-up album Jed
continued in a similar vein, and the band's college radio breakthrough
came with 1990's Hold Me Up, a Replacements-ish power pop record.
Released in 1993, Superstar Car Wash was the Goo Goo Dolls' artistic
breakthrough; though it did nothing to quell the Replacements
comparisons, it was a finely crafted pop/rock record, and its lead
single, "We Are the Normal," was even co-written by Replacements leader
Paul Westerberg himself. Still, Superstar Car Wash wasn't the commercial
force the band hoped it would be, especially in light of the success of
similar bands like the Gin Blossoms. That all changed with 1995's A Boy
Named Goo, when an L.A. rock station put the acoustic-driven ballad
"Name" into heavy rotation. It was eventually released as a single and
climbed into the Top Five later that year; platinum sales for the album
followed close behind. Unfortunately, drummer Tutuska was no longer
around to enjoy the band's success; prior to the album's release, he'd
been sacked and replaced by Mike Malinin.
Dissatisfied with the royalty rates in their Metal Blade contract, the
Goo Goo Dolls waged a legal battle that wound up allowing them to jump
to parent company Warner Bros. Somewhat drained, Rzeznik and the band
shook off a case of writer's block to contribute a new ballad, "Iris,"
to the soundtrack of the 1998 Nicolas Cage/Meg Ryan romance City of
Angels. Appearing that April, the song became a monster smash, although
it was never released as a single (so its official Top Ten pop chart
status doesn't convey how popular it was). For a better indicator,
"Iris" spent nearly a year on Billboard's airplay charts, including an
astonishing 18 weeks at number one, and was nominated for three Grammys.
The band's next album, Dizzy Up the Girl, was released during the middle
of "Iris"'s marathon airplay run and eventually sold over three million
copies. Its clean, polished sound completed the Goo Goo Dolls'
transformation into mainstream pop/rockers who happened to have
alternative roots. Further hits from the record followed over the next
year, including "Slide," "Dizzy," "Broadway," and the Grammy-nominated
"Black Balloon." Although Dizzy Up the Girl quickly became the Goo Goo
Dolls' highest-selling album ever, none of its singles appeared on the
band's 2001's career retrospective, Ego, Opinion, Art & Commerce, which
focused on earlier material and B-sides instead.
The Goo Goo Dolls' audience shrank a bit during the 2000s, although the
band still managed to go gold with its seventh studio album, 2002's
Gutterflower. A concert recording, Live in Buffalo: July 4, 2004,
appeared two years later and helped fans endure the long wait for the
band's next studio effort, Let Love In, which didn't appear until 2006.
It, too, went gold, as did three of its singles: "Better Days," "Stay
with You," and a cover of Supertramp's "Give a Little Bit." A
traditional greatest-hits album, Greatest Hits, Vol. 1: The Singles, was
released in 2007, followed one year later by Vol. 2, which followed Ego,
Opinion, Art & Commerce's lead by compiling rarities, B-sides, cover
songs, and live performances into one package.
Recording sessions for the band's ninth album began taking place in
spring 2009 with producer Tim Palmer. Although a release date was
scheduled for February 2010, the band headed back into the studio in
January to make several last-minute changes to the album, with longtime
producer Rob Cavallo -- who also worked on Dizzy Up the Girl and
Gutterflower -- lending his help. Something for the Rest of Us was
ultimately released that summer.
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